Sometimes filmmakers seem to have the most fun when they turn the camera on their craft and themselves. Among titles that come to mind are Singin' in the Rain and Sunset Boulevard. Written and directed by Martin McDonagh, Seven Psychopaths falls in line with that theory. The talented writer-director of the quirky In Bruges from a few years back seems to be using Seven Psychopaths as a cathartic experience to work through a bout of writer’s block.
More often than not, movies these days are not created, they’re cobbled together like a casserole recipe using parts from other sources. In this instance, take Oliver Stone’s Wall Street, add an episode of Law & Order… any episode, doesn’t matter from which of the series…drop in a pinch of Bernie Madoff, and blend in a whiff of Pretty Woman, and you have Arbitrage. This new thriller is set against the perilous world of hedge funds and high finance, and is nothing if not topical.
Time again for the Cincinnati Film Festival! Mark Perzel welcomes Latria Roberts, director of outreach, and Kat Steele, executive director, to discuss the 3rd Annual Cincinnati Film Festival running September 6-14 at locations around town. Screenings will include the world premiere of the James Franco/Winona Ryder film The Letter and a Cincy showcase.
Theoretically speaking, what might you get if you put the collected works of Tennessee Williams, John Waters and Quentin Tarantino in a blender and then ran it through a projector? I’m guessing you would get a film on the order of Killer Joe, the latest film from Oscar-winning director William Friedkin, who gave us The French Connection, The Exorcist, and one of my favorites, The Night They Raided Minsky's.