Vice President Joe Biden has taken a lot of heat from the Romney campaign for telling a predominantly black audience that Romney would unchain Wall Street and put them back in chains. He made the remarks in Danville, Va., Tuesday. Here's a longer part of that speech that's gotten less airplay.
Mitt Romney told reporters Thursday that he has never paid less than a 13 percent tax rate over the past decade. Until now, the presumptive Republican nominee had sidestepped questions about his personal income taxes. Romney has come under withering criticism over the tax issue from President Obama's campaign and Senate Majority Leader Harry Reid.
The recent headlines in the Russian press were sensational: Members of a reclusive Islamic sect were said to be living in an isolated compound with underground burrows, some as deep as eight stories underground, without electricity or heat.
Reporters have descended on the compound, on the outskirts of the city of Kazan, but have had only limited access and have not been able to confirm all the allegations by Russian officials.
Originally published on Tue August 21, 2012 12:31 pm
What's an American family these days? Many different things, but while television — a domestic medium to its marrow — has an affectionate finger on the pulse of the changing modern family, movies often seem stuck in a sorry dysfunction held over from the late 1960s, when we awoke to find that jolly Beaver Cleaver had morphed into miserable Benjamin Braddock, and while Mrs. Robinson tippled discreetly in the bedroom, Father, far from knowing best, went clueless or missing.
Originally published on Fri August 17, 2012 12:53 pm
With Love Songs, his 2007 musical, French writer-director Christophe Honore updated such 1960s bonbons as The Umbrellas of Cherbourg for our age of expanded erotic frankness and possibility. Beloved, Honore's second musical, goes even farther, layering death, AIDS and Sept. 11 among the merry melodies.
This stylish film is enormous fun, whirling and warbling across four decades of amour. But it stumbles a few times in its last half-hour and ultimately seems a little too frisky for the graver issues it addresses.
Even if most fans of hand-drawn animation have made peace, to a degree, with digital technology, the pleasures of old-school stop-motion animation are still rare and precious. There's something elemental about watching a movie that's been made by moving small figures around and filming them, frame by frame; even though there's always some digital technology involved in the making of a contemporary stop-motion film, the human touch always sings through the finished product.
The monosyllables fly fast and furious in The Expendables 2. It's the joints that are a little creaky, but what would you expect from this sequel to the 2010 blockbuster in which a cadre of aged action stars, led by Sylvester Stallone, gathered to fire guns, blow things up and beat the living daylights out of assorted baddies?
A matinee idol for the age of HDTVs and "retina displays," Robert Pattinson has a face that seems to require a higher resolution — glossy and ghostly pale, all sleek lines and alabaster skin. As Edward Cullen, the emo vampire in the Twilight saga, Pattinson plays a creature so immaculately inhuman that he literally sparkles in the sunlight. Edward may be over a century old, but Pattinson has become a thoroughly modern, even futuristic teen heartthrob, looking at all times as airbrushed as his many Entertainment Weekly covers.