The monosyllables fly fast and furious in The Expendables 2. It's the joints that are a little creaky, but what would you expect from this sequel to the 2010 blockbuster in which a cadre of aged action stars, led by Sylvester Stallone, gathered to fire guns, blow things up and beat the living daylights out of assorted baddies?
Even if most fans of hand-drawn animation have made peace, to a degree, with digital technology, the pleasures of old-school stop-motion animation are still rare and precious. There's something elemental about watching a movie that's been made by moving small figures around and filming them, frame by frame; even though there's always some digital technology involved in the making of a contemporary stop-motion film, the human touch always sings through the finished product.
Originally published on Fri August 17, 2012 12:53 pm
With Love Songs, his 2007 musical, French writer-director Christophe Honore updated such 1960s bonbons as The Umbrellas of Cherbourg for our age of expanded erotic frankness and possibility. Beloved, Honore's second musical, goes even farther, layering death, AIDS and Sept. 11 among the merry melodies.
This stylish film is enormous fun, whirling and warbling across four decades of amour. But it stumbles a few times in its last half-hour and ultimately seems a little too frisky for the graver issues it addresses.
Originally published on Mon October 22, 2012 11:25 am
If lately you've noticed the farmers' market flooded with signs that say "donut," "cling," "whiteflesh" and "freestone," you won't be surprised to learn that August is National Peach Month. Though the juicy fruits pack the produce aisles now, in a few short months a good peach might be hard to find.
Many fruits, though harvested in other parts of the world, are available in the United States all year long. So why are peaches so seasonal, and in the winter, either difficult to find or hard as a rock?