Best known for the crime drama The Counterfeiters that won the foreign-language Oscar in 2008, Austrian director Stefan Ruzowitzky's Deadfall is his English-language debut feature. I was interested in seeing Deadfall since, despite despising cold, snowy Midwest winters, I have a fascination with movies that have a cold, snowy setting. Films like the Swedish vampire masterpiece Let the Right One In, or the Coen Brothers classic Fargo. Deadfall was obviously influenced by Fargo.
New Zealand filmmaker Andrew Dominik raised eyebrows and garnered attention when he delivered the epic tragedy The Asassination of Jesse James by the Coward Robert Ford, which garnered Oscar nominations for cinematographer Roger Deakins and co-star Casey Affleck. Now he’s back up to bat for another shot at Oscar gold with camera guru Deakins, and the star of the Jesse James film Brad Pitt. The film is a mob tale of crime and redemption called Killing Them Softly, which sounds like an oxymoron from the get-go. Although Brad Pitt has long been a performer whose name is more synonymous with “movie star,” he has been edging along in upgrading his credentials to “actor.” Beginning with his work for Quentin Tarantino in Inglorious Basterds, and continuing through the aforementioned Jesse James film, and last year’s Moneyball, Pitt has seemed to be moving out of the “movie star” shadow by delivering some really risky performances where they might not be expected.