movies

The Big Screen
12:31 am
Fri January 11, 2013

Top 10 Movies of 2012

It’s the time of year when film writers everywhere offer up their “Ten Best” lists. Granted, you’ll not see movies of this quality in one sitting, or even over a couple of months. And, it’s entirely possible you may have missed some of these jewels simply because of time constraints, or maybe you never heard of them before.


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The Big Screen
12:31 am
Fri January 4, 2013

Movie Review: Django Unchained

I know many of us have gone to a movie simply because of the “over-hype” where the end product was nowhere nearly as good as the sales job. I have just discovered another arena of disappointment: “over-expectation.” As a big fan of westerns and of the films of Quentin Tarantino, I have awaited Django Unchained as if it were the star on top of the Christmas tree. Imagine my surprise when the film he delivered did not live up to what I envisioned he could deliver. And I’m not saying it’s a bad film, but it has enough little things wrong with it to chalk it up as a disappointment.


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The Big Screen
12:31 am
Fri December 21, 2012

Movie Review: Hitchcock

Sir Anthony Hopkins and Helen Mirren are starring in the story of the Hollywood legend who brought us The Birds, North by Northwest and Psycho, Alfred Hitchcock. Hitchcock is now playing in local theaters and Larry Thomas has a review.

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The Big Screen
12:31 am
Fri December 14, 2012

Movie Review: Deadfall

Best known for the crime drama The Counterfeiters that won the foreign-language Oscar in 2008, Austrian director Stefan Ruzowitzky's Deadfall is his English-language debut feature. I was interested in seeing Deadfall since, despite despising cold, snowy Midwest winters, I have a fascination with movies that have a cold, snowy setting. Films like the Swedish vampire masterpiece Let the Right One In, or the Coen Brothers classic Fargo. Deadfall was obviously influenced by Fargo.


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The Big Screen
12:31 am
Fri December 7, 2012

Movie Review: Killing Them Softly

New Zealand filmmaker Andrew Dominik raised eyebrows and garnered attention when he delivered the epic tragedy The Asassination of Jesse James by the Coward Robert Ford, which garnered Oscar nominations for cinematographer Roger Deakins and co-star Casey Affleck. Now he’s back up to bat for another shot at Oscar gold with camera guru Deakins, and the star of the Jesse James film Brad Pitt. The film is a mob tale of crime and redemption called Killing Them Softly, which sounds like an oxymoron from the get-go. Although Brad Pitt has long been a performer whose name is more synonymous with “movie star,” he has been edging along in upgrading his credentials to “actor.”  Beginning with his work for Quentin Tarantino in Inglorious Basterds, and continuing through the aforementioned Jesse James film, and last year’s Moneyball, Pitt has seemed to be moving out of the “movie star” shadow by delivering some really risky performances where they might not be expected.


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