Now that the holidays are past, it’s time for the folks at Cincinnati World Cinema to get back to work doing what they do best: presenting interesting film programs unlike those seen in the commercial venues. In the next several days, they have two different programs, which should be of interest to film buffs of every stripe.
Writer-director David O. Russell has a great touch when it comes to working with words and actors. He is best known for Three Kings, the Persian Gulf War film starring George Clooney and Mark Wahlberg, and The Fighter, also starring Wahlberg, in which Russell directed virtual unknown Melissa Leo to an Academy Award for Best Supporting Actress.
A few weeks ago I compared a film to an impromptu casserole made from available ingredients on your pantry shelf. So let’s stick with the culinary metaphor once again and whip up a big pot of movie soup.
It’s the time of year when film writers everywhere offer up their “Ten Best” lists. Granted, you’ll not see movies of this quality in one sitting, or even over a couple of months. And, it’s entirely possible you may have missed some of these jewels simply because of time constraints, or maybe you never heard of them before.
I know many of us have gone to a movie simply because of the “over-hype” where the end product was nowhere nearly as good as the sales job. I have just discovered another arena of disappointment: “over-expectation.” As a big fan of westerns and of the films of Quentin Tarantino, I have awaited Django Unchained as if it were the star on top of the Christmas tree. Imagine my surprise when the film he delivered did not live up to what I envisioned he could deliver. And I’m not saying it’s a bad film, but it has enough little things wrong with it to chalk it up as a disappointment.
Sir Anthony Hopkins and Helen Mirren are starring in the story of the Hollywood legend who brought us The Birds, North by Northwest and Psycho, Alfred Hitchcock. Hitchcock is now playing in local theaters and Larry Thomas has a review.
Best known for the crime drama The Counterfeiters that won the foreign-language Oscar in 2008, Austrian director Stefan Ruzowitzky's Deadfall is his English-language debut feature. I was interested in seeing Deadfall since, despite despising cold, snowy Midwest winters, I have a fascination with movies that have a cold, snowy setting. Films like the Swedish vampire masterpiece Let the Right One In, or the Coen Brothers classic Fargo. Deadfall was obviously influenced by Fargo.
New Zealand filmmaker Andrew Dominik raised eyebrows and garnered attention when he delivered the epic tragedy The Asassination of Jesse James by the Coward Robert Ford, which garnered Oscar nominations for cinematographer Roger Deakins and co-star Casey Affleck. Now he’s back up to bat for another shot at Oscar gold with camera guru Deakins, and the star of the Jesse James film Brad Pitt. The film is a mob tale of crime and redemption called Killing Them Softly, which sounds like an oxymoron from the get-go. Although Brad Pitt has long been a performer whose name is more synonymous with “movie star,” he has been edging along in upgrading his credentials to “actor.” Beginning with his work for Quentin Tarantino in Inglorious Basterds, and continuing through the aforementioned Jesse James film, and last year’s Moneyball, Pitt has seemed to be moving out of the “movie star” shadow by delivering some really risky performances where they might not be expected.
It’s always an annual treat when Cincinnati World Cinema brings in the current Lunafest collection. This long-running series of short films by and about women is an excellent way for budding filmmakers to get noticed, and also do some good in the process. As always, a portion of the proceeds from these showings will go to the national Breast Cancer Fund, and locally, to the Eva G. Farris Education Center in Covington.
In any collection of short films, reactions will be different for different people. You may find some inspiring, some funny, some ho-hum. But that’s the luck of the draw, and just like with the British commercial programs, there’s always something new just around the corner. The shortest film is three-and-a-half minutes; the longest eighteen.
If you thought you never liked chamber music, put those thoughts aside for a couple of hours and see the new film A Late Quartet. After 25 years of worldwide fame, this quartet is coming to a crossroads. The cellist, whose wife died not too long ago, is diagnosed with Parkinson’s, which spells the end of his career. The husband-wife duo of second violin and viola are having relationship difficulties, and the first violinist refuses to relinquish any portion of his first-chair duties so that the second violist might have a chance to shine a bit.