Arts

Few French writers can rival the success of Marie NDiaye, whose acclaim as a novelist and playwright is matched by her massive commercial success. At just 45, she has a quarter-century of best-selling books behind her, and in 2009 she became the first black woman to win the Prix Goncourt, France's top gong for literature, for the passionate and unsettling novel Three Strong Women.

Romance fiction is the Rodney Dangerfield of the publishing world: It don't get no respect.

This, despite the fact that romance is the most consistently profitable genre in an unsettlingly shaky business. Last year, romance alone contributed more than $1 billion to publishing's diminished coffers. And a growing amount of that income comes from romances written by ethnic writers for ethnic readers.

It was day 12 of our trip through Spain and Portugal, and my friend and I were ready for some traditional Portuguese cooking when we arrived in the quaint, cobblestoned city of Lisbon.

Walking along the tiered and winding roads, the Atlantic Ocean horizon would greet us and then disappear again behind the hilltops. Above, clothes hung out to dry along white, curved iron balconies, a rainbow of clips holding the waving pants or undergarments in place.

Actress Julie Delpy first beguiled American audiences in 1995, playing the enigmatic French student in Richard Linklater's film Before Sunrise. Ever since, Delpy has enjoyed life on the Hollywood fringe, preferring indie projects where she can help shape her roles.

She co-wrote the Oscar-nominated script to Linklater's sequel, Before Sunset, and has also begun directing her own projects. For her latest, 2 Days in New York, she directed, produced and helped write the script.