Fresh Air

Weekdays at 12 PM

Fresh Air with Terry Gross, the Peabody Award-winning weekday magazine of contemporary arts and issues, is one of public radio's most popular programs. Each week, nearly 4.5 million people listen to the show's intimate conversations broadcast on more than 450 National Public Radio (NPR) stations across the country, as well as in Europe on the World Radio Network.

Though Fresh Air has been categorized as a "talk show," it hardly fits the mold. Its 1994 Peabody Award citation credits Fresh Air with "probing questions, revelatory interviews and unusual insights." And a variety of top publications count Gross among the country's leading interviewers. The show gives interviews as much time as needed, and complements them with comments from well-known critics and commentators.

Copyright 2016 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

The 18-year-old Jane Jacobs picked a lousy time to leave her hometown of Scranton, Pa., and move to New York City.

It was the fall of 1934 and New York was dragging itself through The Great Depression. During that first year in the city, Jacobs, who'd gone to secretarial school, scrounged for work, riding the subway from the Brooklyn apartment she shared with her older sister, Betty, into Manhattan.

Copyright 2016 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

Copyright 2016 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

Copyright 2016 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

This is FRESH AIR. I'm Dave Davies, in for Terry Gross.

Copyright 2016 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

Copyright 2016 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

Copyright 2016 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

Copyright 2016 NPR. To see more, visit http://www.npr.org/.

DAVE DAVIES, HOST:

This is FRESH AIR.

If there were a hall of fame for criminals, it would have to include notorious Colombian drug kingpin Pablo Escobar.

For director Antoine Fuqua, remaking the 1960 film The Magnificent Seven was a return to childhood. He tells Fresh Air's Terry Gross that the original film reminds him of his grandmother, who used to watch Westerns with him on Sunday afternoons when he was growing up.

"I would sit there with her, and she would make me whatever food I want," Fuqua says. "What I recall about [The Magnificent Seven] was ... listening to her talk about each guy as they were introduced."

Television used to be careful when it told fictional stories about the presidency. It was bound by a sense of decorum. But things changed forever with the famous commercial for the movie Independence Day that wowed those watching the 1996 Super Bowl by blowing the White House sky high. Ever since, presidents have been fair game. You can portray them as thugs, schemers or murderers — or knock them off to boost ratings.

Copyright 2016 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2016 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

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