Jacki Lyden

Beginning Friday, the New York branch of the Smithsonian's National Museum of the American Indian will host the exhibit Native Fashion Now, a traveling show from the Peabody-Essex Museum in Salem, Mass. It highlights a dazzling array of contemporary fashion made by dozens of Native American designers.

Recently, on a hot summer morning with cumulus clouds towering overhead, black cattle grazed in South Florida fields, dotting the horizon along with clumps of palm trees. At the Big Cypress Reservation, Moses Jumper is a tribal elder and owner of nearly 300 head — and a fourth-generation cattleman.

The Seams, an occasional NPR series on clothing as culture, has been reporting a series about Florida Seminole Indian patchwork and its heritage and use in tribal life. Read the first installment in this series, "Osceola At The Fifty Yard Line."

Seminole patchwork is not well-known outside the state of Florida. The Seams looks at culture through clothing — and within this hand-sewn and folded patchwork is the story of the Seminole Tribe of Florida.

Thursday in New York, the Metropolitan Museum of Art officially reopens its fashion galleries after a $40 million, two-year renovation.

Named for Vogue magazine's editor, the Anna Wintour Costume Center features an inaugural exhibit of the work of Charles James, a flamboyant designer considered America's first couturier. This caps days of glamorous events at the Met, including the Costume Institute's benefit gala, presided over by Wintour — with Hollywood stars.

In the 1960s, Al Black could be found cruising up and down Route 1 in his blue-and-white Ford Galaxy — with a trunk full of wet landscape paintings.

At the time, he was a salesman who could snatch your breath away and sell it back to you. As artist Mary Ann Carroll puts it, he could "sell a jacket to a mosquito in summer."

"A salesman is a con-man," Black readily admits himself today. He's a storyteller. And does he have stories to tell.