The act of sharing decades of your life with one person lends itself to repetition. If you aren't careful, repetition becomes routine, routines become ruts, and then, for the terminally uncommunicative, ruts dig themselves so deep that they become the sort of soul-sucking bottomless trench in which Kay and Arnold, the married couple played by Meryl Streep and Tommy Lee Jones in Hope Springs, find themselves.
Most theaters let audiences know the show is about to start by blinking the lights. Stratford's Festival Theater in Stratford, Ontario, is a bit more festive. Four burgundy-uniformed buglers and a drummer quicken the pace of hundreds of theatergoers who've been ambling up the hill from the banks of the Avon River. When curtain time arrives, a cannon will boom.
Step, if you will, into my bedroom at night. (Don't worry, this is a PG-rated invitation.) At first, all is tranquil: My husband and I, exhausted by our day's labors, slumber, comatose, in our double bed. But, somewhere around 2 a.m., things begin to go bump in the night. My husband's body starts twitching, like Frankenstein's monster receiving his first animating shocks of electricity. Thrashing about, he'll kick me and steal the covers. In his dreams, he's always fighting or being chased; one night he said he dreamt Dick Cheney was gaining on him.
In the earliest days of the Civil War, the Union Army focused on cutting off key supply lines on the periphery of the South. The approach was designed to hurt the South's economy and convince its citizens to return to the Union.
Even though President Lincoln said slavery was unjust, in the earliest days of the war he told the Southern states that he wouldn't interfere with slavery as an institution.